Cayla Bellamy, bassoon
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Postings arise as time permits
and inspiration hits. Contact me
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On Practicing Right

11/6/2013

2 Comments

 
"Practice doesn't make perfect.  Practice makes permanent."

Sound familiar?

This idea of habit formation has been central to my most recent "Lap Four" goal - see my earlier post if you're confused.  Historically, I have problems with consistency.  One day I play a brilliant concerto, the next I forget how to slur an octave.  Home run, strike out.

In my multifaceted approach to solve this problem (and subsequent random internet surfing), I came across several videos, web resources, and a book by New York Times writer Charles Duhigg.  He describes the "Habit Loop," which led me to two important realizations:
  1. I am habitually inconsistent.
  2. I train myself to be so.
Picture
I set out to deconstruct my habit loop.

CUE: Public performance.

ROUTINE: Freak out, lose control.

REWARD: An "engaging" performance.  Sometimes this is a euphemism, sometimes not.

Here's his story, the cookie-based version of my bassoon habit:

After months of diligent work refocusing on the reward - engaging an audience with a musical experience - I finally stepped beyond my most recent plateau. I played in a master class, and, for the first time in what felt like forever, I was happy with what I presented.

I played representatively.  I played how I play when I'm alone.  I played how I play when I am having fun.  *gasp*

A friend of mine asked me later that evening what I felt to be the biggest change in my playing over the past several months, and I gave him a highly inadequate answer.  (So, this post is partially for you, Adam!)

I gave him a technical answer.  I did blah blah to my reeds and think of my sound as blah blah and by body blah.  Blah.

After more reflection, here's the real answer: I practiced right.

By "right" I don't mean that I was practicing wrong before. I mean I practiced being right and knowing I could be right.  I practiced being right more than I was being wrong, which I had always before thought of as a waste of time.  However, it stands to reason that we will always do what we have always done.  If nine times out of ten you crack a note, that one success only means that you have a 10% chance the next time around.  Play it correctly ten times in a row, then your chances just over 50% (11 rights for 9 wrongs).  Math!

I stopped practicing to be perfect, and I started practicing to be permanent.  I practiced right, and it felt right.

Go give it a shot, and let me know what you think!
2 Comments
    Picture

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  • Home
  • Information
    • News
    • Events
    • About Me >
      • Biography
      • Bassoonist
      • Conductor
      • New Music Advocacy
  • Gallery
    • Recordings
    • Press
  • Studio
    • Curriculum and Policies
    • Teaching Calendar
    • Lessons and Masterclasses
    • Colorado State University
    • Payment
  • Resources
    • Daily Routine
    • Reed Making
    • Audition Preparation
    • Helpful Documents
    • For Educators >
      • Teaching Virtually
      • Bassoon Techniques Introduction
      • Philosophy >
        • Priorities
        • Fingering Logic
      • Fundamentals >
        • Assembly
        • Posture and Breathing
        • Articulation
        • Intonation
        • The Break
        • Vibrato
        • Daily Warm Ups
        • Contrabassoon
      • Reeds >
        • Characteristics
        • Diagnostics
        • Adjustments
        • Purchasing Resources
      • Equipment >
        • Recommendations
        • Cleaning
        • Minor Adjustments
        • Repair Resources
      • Fingering Chart
      • Summary
      • Continued Instruction
  • Social
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